Rob Ford Original Paintings

When at work in the studio I like to keep things as simple as possible. I choose a basic palette of primary colours, burnt sienna and white, the last two I seem to use in vast quantities. I prefer to work in oil paint, not only for its well-stood tradition, but its ease of use. I rarely have patience that is required for watercolours and have developed a kind of love-hate relationship with acrylics. I greatly admire people who work with these mediums on a day-to-day basis.

I prepare the ground upon which I am to work and finish it in sienna, sanguine or an ochre shade. This serves two purposes. Firstly, I find the task of starting work much easier; there's nothing worse than the feeling of being confronted by a large pure white surface. Secondly, I like to use these ground colours to shine through the layers I place over them. In landscape paintings I use very little red in my palette and lay thin glazes of grey and blue over a coloured ground creating the 'purple-pink' effect. The foreground, again has to be under painted, but I may lay a thicker ground by using a dry-brushing technique in ultramarines and sienna or simply applying the paint in thick lashes by brush. This helps to build the texture. I build the foreground to hopefully give the impression of a breeze blowing over a field or light dancing on an evening scene. I use a combination of techniques to create the moods and light in my paintings. The only problem is, I keep running out of paint!

All our pictures are available to view in the gallery but if you can't get to us we are happy to email you extra images. Please contact us if you need any further information about any of our artworks.

Sepia Storm by Rob Ford

Original Oil on Board

Framed size: 49 x 79.5 cm

Image size: 29.5 x 59.5 cm

£595 framed